Pierre Caesar was born on September 19th a few seconds before his twin brother Pablo.
Pierre became Youth Europe and World Acrobatics Champion. At the age of 17 he ended his sporting career and now focused more on presenting his talent in shows.
Then Pierre and his twin brother started a meteoric artistic career as the "Caesar Twins".
They performed in several cult shows such as 100%, la Clique, Pallazzo and also toured all over the world.
Their solo show played in London Westend and they were invited by Queen Elisabeth II to the Royal Variete Show - an artistic accolade.
Here they played with Shirley Bassey , Sharon and Ozzy Osbourne , Cliff Richard , Andrea Bocelli .
The audience at the Edinburgh Festival was so enthusiastic that their solo program was sold out for 4 years in a row.
Sir Elton John invited them to the White Tied Tiara Ball , they were the artistic "opening act" for Placebo at the Siezet Festival .
Her solo show won awards for Best Show and Best Production at Brighton and Edinburgh Festival .
After the great worldwide successes together with Pablo, Pierre (Pio) has now specialized in directing.
As the driving force behind the base, he sees himself as a pioneer - a trailblazer when it comes to staying power and innovative experimentation.
He creates artistic acts and writes poems and lyrics.
Pierre was the first to direct the shows “Made in Germany”, “Hotel California !, and "Versus".
With the much-acclaimed newcomer show "BASE", Pierre takes care of it 2010 caused a sensation with this extraordinary staging.
Pierre Caesar directed the shows, among other things
“Made in Berlin”, “BACK to BASE ”,“ Le Club ”,“ Like Berlin ”,“ Kawumm ”,“ The Trip ”,“ Pabst Audienz ”,“ We are that we !? ”,“ Jack Woodhead & Friends ”,“ 2020 ”,“ MOST WANTED ”,“ Aurum ”,“ The Prince and the Wild Girl ”,“ FEROX ”,“ Le club reloaded ”,“ The little prince on Station 7 ”,“ SIGNUM ”.
His shows are weird, unadapted and represent an attitude towards life.
Pierre Caesar has an excellent instinct for contemporary variety productions. As one of the most versatile artists in the world, he knows exactly what is going on on stage and what is not.
He brings things together on stage like a painter brings together a picture: the artistry, the dance, the acting. Pierre tells stories where others offer numbers, shows faces where others hide behind masks.
“First and foremost, directing needs courage. Every day in the theater, every rehearsal, requires courage.
For me this is all the more true as I work very intuitively. The power, the energy with which I create the spectacle can only come from determination and a certain spontaneity. Too much thought, too much calculation is harmful.
But I am also a “doer”; I don't wait for the muse to kiss me. There is probably no other way as a director with responsibility for a large company. If 20 protagonists look at me during a rehearsal, I can't sit in a corner because I don't feel inspired right now. Then the first thing you do is work soberly and dryly, and sometimes this creates a spark that spreads to the whole group.
I operate things on stage together like a painter a picture: the artistry, the dance, the acting. If I am cautious or cautious, you can tell in my pictures: Then there is no tension. I achieve the best results in the state of flow: Then I am courageous and sensitive, spontaneous and precise, highly concentrated and completely removed at the same time. That's just wonderful, very lucky.
Often the best ideas come to mind when I'm not looking for them.
Some fate is not a lucky star. Some of them survive - they are called PIOniers. "